The Last Supper is a fifteenth century painting in Milan made by Leonardo da Vinci and spreads the back mass of the feasting corridor at the religious community of Santa Maria delle Grazie in Milan. It speaks to the scene of The Last Supper when Jesus declares that one of his Twelve Apostles would double-cross him. Leonardo started take a shot at The Last Supper in 1495 and finished it in 1498 however he didn't chip away at the artistic creation persistently. A few authors recommend that the individual in the composition situated to one side of Jesus is Mary Magdalene as opposed to John the Apostle, as most workmanship history specialists recognize that individual. This famous hypothesis was the point of the book The Templar Revelation (1997), and assumes a focal job in Dan Brown's epic The Da Vinci Code (2003).