As in the first story i told you about one of my work called TUMOR Xample. Now i want to explain perfectly my work and how i realized this. In my life i've been in contact with a lot of person with hard disease. For me was terrible to see how much pain someone can prove. The lamentations, the shout. In the hospital where my mother worked interpersonal relationships were just corporal type. If the body was bad then there was relationship. I began to understand that the disease was not just a disorder, but a real entity, which was not only opposed to interpersonal relationships but also to social ones. So I recreated a lab where physical entities simulated a sort of serious illness to show how the body (in this case the syringe) hosted an unpredictable and procedural mass. Rice grain is therefore not just a metaphor of life, but a real bodily fetish, able to grow if desired, and die if it is badly nourished.
It is the first time I realized that art should not just simulate extraordinary events but must approach the spectator by mimetically simulating her active, procedural body.
By observing relational art (if you want to know about relational art write it down in the comments and we'll talk about it;)) I realized that the relationship with the body was to result not only from the observation of the social system but also from within, Our organs. So I came into contact with sick people and stole pharmaceutical waste for my work. Was the best way to make a work unique and actively tied to who lived it. Each drug has its delivery time, so I respected this time and produced these syringes as if I were taking a drug.
Finally, on the occasion of the exhibition where I exhibited for the first time this work, postcards of the work, I decided to make the work of art really in relation to the people and make them close to each other.
What do you really think of now? If you have any questions I'm happy to answer.