Gaudí and the myth of Creation: the Holy Family

Sublime, like everything that is done with the parameters of the soul, penetrate into the heart of the Holy Family, it constitutes, without doubt, a mystical journey of such exorbitant proportions, as the passion of a man, Antonio Gaudí, whose line of thought, in a simplified way, was none other than the execution of the Laws of Nature, and by default, the application of the Physics of the Divinity to the service of that small but genuine microverse to which man clings with claws of a beast, which is the World of the Spirit.

There are those who maintain that Maestro Antonio Gaudí was a fervent Christian.

A Christian convinced and orthodox to the use, who apparently shared each and every one of the postulates of a Holy Mother Church-Catholic, Apostolic and Roman-that, in some cases, shared and financed -possibly, more capable in his Mephistophelic work to achieve patronage of others, to open their own arks- works that, despite the incomprehension of the time, already thrived to be considered as Masters in a future that, paradoxically, recognizes its genius, but forgets the respect it always showed towards the environment .

A respect, which led him, in all cases, to show solidarity with him, so that human action always fit before destroying.

For that reason, and even if it rains criticism or they simply call me a heretic - I say as in the hospital of Roncesvalles, where both Christians and pagans have a place - I can not help being carried away by the feeling I had inside this immense vital heart of faith: having penetrated into the largest artificial temple I have ever seen in my life; a temple that imitates, in grandiosity and perfection, the best of temples that man, in his genetic blindness, never fails to recognize: that of Nature.

Faced with this, I can only ask one vital question: what was, in short, the true devotion of the Master Gaudí?

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