Hello !
💗🎺 🎷 🎸Artzone & Musicoin EDM Contest🎸🎷🎺💗
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What's the story behind "Deep In The House"?
Back in 1996 I started my DJ career with Drum & Bass, being the music lover I am & also not very keen on limitations, I ventured out into other genres, one of them was House.
"Deep In The House" is about my love to House Music.
"Gabriel" (Live Garage Version)
by
Roy Davis Jr ft Peven Everett
I created "Deep In The House" using Studio One, the MiniLAB from Arturia, the Analog Lab soundbank & samples.
Fabfilter Eq
UAD LA2A
Rvox
Lexicon Reverb
UAD Precision Limiter
As I mentioned before, I always do Mid/Side (M/S) processing, consider it an important step.
Dynamics:
Dynamic vocals can be effectively stabilized, making the important bass/bass drum range more powerful and present.
On the other hand, of course, the side parts of the stereo file can also be kept more transparent and stable without being too dynamic on the important transients of the bass drum, snare or vocals.
A stronger compression of the sides can also bring the effects used in the mix out more clearly.
Frequency image:
Also, the highs of the side signals can be raised without risking too much hissing sharp emphasis on the center lead vocals. Drum overheads, keyboard surfaces, guitar walls and effects can be refined through silky heights, without the lead vocals' S-lute becoming too dominant.
De-Essing:
Stereo Width:
Crazy Cross-Effects:
In particular, the combination of compressors and gates in conjunction with cross-routed side-chaining can create creative sound designs that can "run" from the center to the sides, depending on frequency or dynamics or vice versa. Attentive experimentation is required here, always with a critical view towards the fidelity of the developing result.
I hope this was informative & makes sense on why to do Mid/Side (M/S) processing. <3
I wish you all have a magnificent start into this new week& hope you enjoy "Deep In The House"
D-VINE
Hi, @d-vine!
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