(SCENE 4: BLOOD MONEY (HONEYS HOUSE/ OUTSIDE)
(Characters: Tonya, Mike, Kelvin, Edward, Fats, Nisha,
Honey.) Setting: Night - Honey's house
MIKE
Aye Kelvin. You know I saw Nisha
get in the car with some dude at
the park today.
KELVIN
Oh yeah. You get a look at him?
MIKE
Na they pulled off as I walked up.
KELVIN
Well she should be coming home any
minute. Lets see if we can find out
who she creeping with.
{Mike and Kelvin hide outside the building waiting for Nisha
to arrive. Tonya watches from the window. Edward and Nisha
pull up to the building. Edward and Nisha walk up to the
door to say their good nights.}
EDWARD
You gonna call me?
{Nisha kissing Edward}
NISHA
Yes.
{Mike and Kelvin pop out.}
KELVIN
What the hell is going on here?
NISHA
Kelvin chill out.
KELVIN
Chill out? Who the hell is this
dude driving you around town. Some
kinda predator because me and Mike
can kick his ass now.
MIKE
No problem.
EDWARD
I'm not a predator that's my moms
car and we all go to the same
school. We don't hang out in the
same circles so you probably
wouldn't have noticed me.
KELVIN
We'll why you creeping around with
my sister.
NISHA
Because it ain't none of your damn
business who I'm talking to. You
not my daddy.
KELVIN
I'm telling mama
MIKE
and that's my cue to go home
NISHA
I don't care tell her just get away
from me embarrassing me like this.
EDWARD
Bye Nisha. Nice to meet you Kelvin.
I guess you can say the cat is out
of the bag Nisha.
KELVIN
Mhm whatever.
{Nisha sucking teeth and entering the building}
NISHA
Embarrassing
KELVIN
Whatever. Go up stairs.
NISHA
Don't tell me what to do
{KIDS GET READY FOR BED AND WATCH TV TILL HONEY ARRIVES
SCENE 5: BLOOD MONEY (HONEYS JOB/ FATS CAR)
(Characters: Fats, Honey, Co-worker, Tonya, Sherry) Setting:
Night - Honeys job. Fats Entering honeys job after hours
honey busting tables. Co- worker trying to leave.
CO- WORKER
Hey girl I need to pick my son up
from the baby sitter before it gets
too late you mind if I leave early?
HONEY
Yea no problem I got it under
control.
CO- WORKER
Thanks girl your a life saver.
{Fats walks in}
HONEY
Excuse me sir we just closed for
the night.
FATS
I apologize I actually didn't come
in to eat.
{Co- Worker passes Fats on the way out giving Honey signals
that Fats is FINE)
HONEY
Oh is that right.
FATS
Yes Ma'am. I noticed you walking
home after work the other night. I
just so happen to work in this area
as well. And a women has no
business walking this city at night
alone. Pretty dangerous if you know
what I mean.
HONEY
Is that right and who are you.
FATS
My name is Fats
HONEY
Well Mr. Fats I've made it this far
in life without protection. Why
should I start now.
FATS
and its that kind of thinking that
make our women feel like the don't
need anyone. In all reality it
would actually make life easier on
you.
HONEY
How do I know your not some crazy
killer. (giggling)
FATS
Why would I lure you to my car when
no one is here now.
HONEY
You have a point. OK let me lock up
and I'll be out in a hot second.
{Fats exits diner waits in car for Honey Fats cell rings}
FATS
Hello?
SHERRY
You still stopping by tonight.
FATS
Yeah I'm in the middle of something
right now I'll call you on when I'm
on my way.
{Honey opens passenger door. Fats hangs up phone.}
FATS
You ready?
HONEY
Yes sir (Location)
FATS
Right away
{Fats Starts and heads to Honeys home arrives to Honeys home
where Tonya is in her window awaiting her mothers arrival.}
HONEY
I appreciate the ride and your
curtsy.
FATS
The pleasure is all mines. Maybe we
can go for a bite to eat sometime
or a cup of coffee.
HONEY
I'd like that.
FATS
Well than until next time.
{Honey exits the car walks up to building. Fats drives off.
Honey enters home to be immediately questioned by Tonya.}
TONYA
Mama who car is that.
HONEY
What you mean?
TONYA
You know what I mean who was that
man who just dropped you off in
that fancy car.
{Honey laughing}
HONEY
First of all I'm grown secondly
I've been at work all day and my
feet hurt and that nice man offered
me a ride home.
TONYA
Yeah that's not all he was looking
at do you better be careful out
there mama.
HONEY
You don't have to worry about me
Child I know how to handle myself
out here. Besides he's harmless a
little bit flashy for my taste but
he is cute.
TONYA
Him or the car
{Girls start laughing honey starts changing from her work
clothes.}
HONEY
He's a sweet guy his name is fat.
I noticed him around my job for a
while now I know what he into
although he doesn't want me to
admit it to him. I think all around
he's a pretty good guy. Very polite
even ask me out on a date.
TONYA
Are you going to go?
HONEY
I had given up on love a long time
ago. I guess I deserve to treat
myself. He just comes off to me as
a different kind of guy. With a
little bit of class and more self
respect It's worth looking into.
TONYA
Just let me know when y'all are
tight enough for me to drive that
car.
HONEY
What you need a car for you do a
good enough job driving me crazy.
Girl go to bed.
TONYA
Night momma.
HONEY
Night baby girl.
(SCENE FADE CHANGE TO 15 MINUTES PRIOR FATS JUST DROPPI
SCENE 6: BLOOD MONEY (OUTSIDE/TRAP HOUSE)
(Character: Fats, Sherry, Slick, Smoke, Crack Head.)Setting:
Night - Fats Car: Fats in car after dropping off honey
cellphone rings.
FATS
Hello?
SHERRY
Where you at?
FATS
I'll be there in 10 minutes.
SHERRY
OK everything is ready
{Fats hangs up phone arrives at trap house grabs bag from
trunk. Walks into trap house. People getting high occupying
the home.}
FATS
A! what you doing out here?
CRACK HEAD
Just trying to get my fix.
FATS
That's what the bedrooms are for I
don't wanna see you laid out in
here. Bad for business you got me.
CRACK HEAD
Yeah no problem Fats. No
disrespect.
{Fats enters the kitchen with Sherry and a few contracted
workers to break down product.}
FATS
Sherry don't get high till all this
shit is bagged up.
SHERRY
Come on Fats you know me.
FATS
and i also know you get high so
don't fuck around.
SHERRY
I got you Fats.
{Fats swaps bag of product for bag of cash. Exits the home
loads cash into trunk. Starts driving soon after pulling off
Fats is pulled over by a patrol car. Two officers approach
Fats vehicle with flashlights drawn.}
SLICK
License and registration.
FATS
That you Slick? Nigga you almost
scared the piss out of me.
{Smoke and Fats laughing}
FATS
and yo ass just playing along
Smoke. You niggas ain't funny. What
you want?
SMOKE
You know what we want big time.
SLICK
To play these numbers.
FATS
Why cant y'all go and check my
partner downtown like everybody
else. I told him who y'all were and
to take care of you.
SLICK
Well we don't know him. besides you
want us to tell you to holler at
our other partners when you need
help.
FATS
hell na. give me them numbers
{Everyone chuckling about situation}
FATS
I'll have theses in for you boys
first thing in the morning.
SLICK
Rodger that captain.
SMOKE
Peace brother.
{Shake hands and Fats drives off.}
SCENE CHANGES FROM NIGHT TO DAY AND FATS PULLS UP IN FRONT
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Script writing isn't easy. Long time since I saw a script to be honest...
To find one published on steemit this way is quite a treat.
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Ty make sure you read part 1 if you haven't already done so!
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This post has received a 1.76 % upvote from @booster thanks to: @banjo.
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