"In the World of Grains", Chapter 3:
"...When I planned this book and its individual chapters, I had thought to write - here in chapter 3 - about different practical ways of applying sonic grains to the processes of producing music, and of composing music, sound, and audible art. But soon I was to learn, what a mess and what a mayhem we come upon, outside there in the www, the wild world of wonderous conceptions of the matter of sonic grains.
Things get even more complicated because of the conflict between the agents of well planned compositions, seeking deeper sense and meaning, and aiming for rather intellectual pleasure on one side, and the ambassadors of mere sensual enjoyment, who are permanently endangered to get lost in delirious orgies of – quite often – shallow sounds on the opposite side. A conflict beloved, fostered and cultivated by both parties – and that for a quite long time. It´s nowhere else than on the field of sonic grains and their applications where this conflict is fought out most virulently. This factum might not occur to everybody, because one of the strategies – followed by both sides – is a kind of “actively ignoring” each other.
These are the reasons why I decided to add this new chapter 3 to the plan of my book. Let me start doing, what the headline of this chapter is asking me to do. And perhaps you will find something in this new chapter 3, something that may well pacify even the mentioned conflict..."
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