Kingsman The Golden Circle
Thankfully, though, that action is bloody terrific. From an opening black-cab scrap and chase through the streets of London, to the climactic assault on the villains’ secret base (a lost, ancient Cambodian city given a ’50s kitsch Americana renovation), Vaughn keeps things impressively kinetic, gymnastic and focused. Presented in seemingly single takes, each brutal fight sequence involves a (presumably VFX-assisted) single camera fluidly whirling, pivoting and crash-zooming through the carnage, usually to an effectively ironic pop-song backing. Then there’s the gleeful incorporation of the kind of outlandish elements you’d expect from this double-OTT universe: a giant mincing machine, a laser lasso, a bubbling pot of molten gold, a wildly spinning cable car on Monte Bianco’s Skyway, an actual Elton John, and killer robot dogs with drill-bit teeth.
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