A star vehicle for Jason Statham at his meanest, "Wrath of Man" is one of Guy Ritchie's best-directed movies—and one of his most surprising, at least in terms of style and tone. Gone is the jumpy, busy, lighthearted, buzzed-bloke-in-a-pub-telling-you-a-tale vibe of film like "Snatch," "RocknRolla," "The Man from U.N.C.L.E.,” "King Arthur," and the like. In its place is voluptuous darkness, so sinister that you may wonder if its main character is the devil himself.
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This character is named Patrick "H" Hill (one letter removed from "Hell"). His coworkers at Los Angeles' Fortico armored car company call him "H," which sets him up to be sort of a Kafka character, a nearly nameless cog in a societal machine. H is a rookie on the job. He reads as a surly, socially inept, uncommunicative lump—he barely passes the driving and shooting tests, and his resting face is somewhere between brooding and seething—but his supervisor Bullet (Holt McCallany) hires him anyway because beggars can't be choosers. Morale has been low ever since a daylight heist became a bloody public shootout that claimed multiple lives, including two Fortico guards.