Origin and location
Djebel Saghro
Nomadism and sedentary lifestyle
The most heroic episode of this resistance to colonization is late 1932, early 1933.
This is the famous battle of Bou Gafer. Nearly two months of fierce fighting in the middle of winter to take a stronghold of snow and rock. On one side, several thousand men, many guns and four squadrons of forty-four aircraft based in Ouarzazate. On the other, led by the Baslam brothers, a little less than a thousand summarily armed nomads, women and children.
CEREMONIES OF MARRIAGE IN MOROCCO "AIT ATTA"
Weddings are collective. They are celebrated on the occasion of Aid el-kebir (or Tafaska Taxatart).
A few days before the party, the women will grind the grain at the water mills. The girls of marriageable age help their mother, they come and go in front of groups of young people who observe them and make their choice among them. They will follow them later when they go to make wood or pick grass in the fields and gardens and to whatever he wants the pretender will declare his faith.
Each fiance slaughters a beast in his hand and gives his groomsmen some pieces of meat that they put in the hood of their burnous. The beast is divided into four quarters and each quarter into seven pieces.
The next day, at sunrise, each fiance sends to the girl her groomsmen led by a mule with her coat and covered with a carpet. They find the bride ready, her hands dyed with henna, her hair combed. They jog her on the mule and raise up behind her one of her younger brothers, if she has one, then they walk her around the walls of the little ksar which they make him do three times around with the women of the house, of relatives and his mother.
The other processions are similarly organized with their fiancee, at about the same time, and turn without attention to the procession preceding or following.
One sings way making words of this kind: "warro wa warro ya arro", in which returns the term "erro", put to "overcome"; it is indeed of struggle that it is a question.
To the fiancée of the first group who stops at the entrance of the ksar his three completed towers, a bowl containing milk is presented, and three times he sprinkles this milk with the upper lintel of the door.
The men and betrothed remained in the ksar and while the bride indulges in these sprinkling rituals, they close the door, refusing the entrance of the ksar to the small processions that have joined. A struggle begins between them and the men. When we consider that it has lasted a sufficient time that leaves thevictory to the engaged, we engage negotiations on both sides. The men give the winners one or two parts of the meat they have used. The deal concluded, the great gate of Ksar opens and the processions enter the small city in the middle of noisy demonstrations, songs, gunshots, tambourines and go to the Arahbi (rectangular enclosure sometimes filled with courts where, at night, pack animals are sheltered).
Under one of these courtyards, a few days before the weddings, a long bench with palm branches was laid on which mats and carpets were spread. This bench is reserved for fiancées.
The fiancées, on their mules, thus enter the Arahbi. The men go down by carrying them in the arms so that their feet do not tread the ground and install them on the bench in the place which is reserved for them. Behind each of them hangs from a stake, stuck in the wall, the various objects that constitute the trousseau that their father gave, and among these objects, we note more particularly a kind of musette, Tahrit, closing almonds, walnuts, dates and a braided rope of white, red and black threads.
They are veiled, arms trimmed with bracelets and hands henna-hued. In front of them, the guests, men and women, organize themselves to dance and sing the Ahidous.
The fiancées thus remain seated on their seats for several days and attend various ceremonies celebrated in their honor.
One of them, called Aba3ya, is on the third day. The horsemen enter the ksar and go, one after the other, to greet them by rearing their mount which falls the feet of front on the bench of the fiancées. These put henna stains on the chamfer and chest of the horse and give the rider almonds and dates they draw from their bag-musette.
The consummation of the marriage takes place the third night in the house of the husband where the fiancées are led, without song and without noise, by two men, some relatives and the mother of the young man. After that we bring them back to the Arahbi, on the bench, we proceed to their toilet; the garment stained with the blood of the hymen is spread on their knees. They receive the congratulations of the assistants who sing their praises and say auspicious words.
On the seventh day, when the wedding is over, the brides dressed in their finery will for the first time draw water from the fountain, each with a jug.
Text source: mellab.over-blog.com/article-2215286.html; fr.wikipedia.org, www.lefigaro.fr; irchouq.skyrock.com/376156376-Mariage-chez-ait-Atta.html
Sources of photos: http://expertmat.fr; http://www.musikamazigh.com; http://www.lefigaro.fr; http://www.i-trekkings.net; http://www.randonneemaroc.com; http://nezumi.dumousseau.free.fr; http://blog.cheaptents.com; http://www.palgeo.ch; http://www.judaisme-marocain.org; http://farm2.static.flickr.com .; http://58.img.v4.skyrock.com http://www.kasbahabaha.com; http://c3.img.v4.skyrock.net
A few days before the party, the women will grind the grain at the water mills. The girls of marriageable age help their mother, they come and go in front of groups of young people who observe them and make their choice among them. They will follow them later when they go to make wood or pick grass in the fields and gardens and to whatever he wants the pretender will declare his faith.
Each fiance slaughters a beast in his hand and gives his groomsmen some pieces of meat that they put in the hood of their burnous. The beast is divided into four quarters and each quarter into seven pieces.
The next day, at sunrise, each fiance sends to the girl her groomsmen led by a mule with her coat and covered with a carpet. They find the bride ready, her hands dyed with henna, her hair combed. They jog her on the mule and raise up behind her one of her younger brothers, if she has one, then they walk her around the walls of the little ksar which they make him do three times around with the women of the house, of relatives and his mother.
One sings way making words of this kind: "warro wa warro ya arro", in which returns the term "erro", put to "overcome"; it is indeed of struggle that it is a question.
To the fiancée of the first group who stops at the entrance of the ksar his three completed towers, a bowl containing milk is presented, and three times he sprinkles this milk with the upper lintel of the door.
The men and betrothed remained in the ksar and while the bride indulges in these sprinkling rituals, they close the door, refusing the entrance of the ksar to the small processions that have joined. A struggle begins between them and the men. When we consider that it has lasted a sufficient time that leaves thevictory to the engaged, we engage negotiations on both sides. The men give the winners one or two parts of the meat they have used. The deal concluded, the great gate of Ksar opens and the processions enter the small city in the middle of noisy demonstrations, songs, gunshots, tambourines and go to the Arahbi (rectangular enclosure sometimes filled with courts where, at night, pack animals are sheltered).
Under one of these courtyards, a few days before the weddings, a long bench with palm branches was laid on which mats and carpets were spread. This bench is reserved for fiancées.
The fiancées, on their mules, thus enter the Arahbi. The men go down by carrying them in the arms so that their feet do not tread the ground and install them on the bench in the place which is reserved for them. Behind each of them hangs from a stake, stuck in the wall, the various objects that constitute the trousseau that their father gave, and among these objects, we note more particularly a kind of musette, Tahrit, closing almonds, walnuts, dates and a braided rope of white, red and black threads.
They are veiled, arms trimmed with bracelets and hands henna-hued. In front of them, the guests, men and women, organize themselves to dance and sing the Ahidous.
One of them, called Aba3ya, is on the third day. The horsemen enter the ksar and go, one after the other, to greet them by rearing their mount which falls the feet of front on the bench of the fiancées. These put henna stains on the chamfer and chest of the horse and give the rider almonds and dates they draw from their bag-musette.
The consummation of the marriage takes place the third night in the house of the husband where the fiancées are led, without song and without noise, by two men, some relatives and the mother of the young man. After that we bring them back to the Arahbi, on the bench, we proceed to their toilet; the garment stained with the blood of the hymen is spread on their knees. They receive the congratulations of the assistants who sing their praises and say auspicious words.
On the seventh day, when the wedding is over, the brides dressed in their finery will for the first time draw water from the fountain, each with a jug.
Text source: mellab.over-blog.com/article-2215286.html; fr.wikipedia.org, www.lefigaro.fr; irchouq.skyrock.com/376156376-Mariage-chez-ait-Atta.html
Sources of photos: http://expertmat.fr; http://www.musikamazigh.com; http://www.lefigaro.fr; http://www.i-trekkings.net; http://www.randonneemaroc.com; http://nezumi.dumousseau.free.fr; http://blog.cheaptents.com; http://www.palgeo.ch; http://www.judaisme-marocain.org; http://farm2.static.flickr.com .; http://58.img.v4.skyrock.com http://www.kasbahabaha.com; http://c3.img.v4.skyrock.net
A refreshing history of an African tribe.
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