[CLASSICAL MUSIC] On Beethoven's Third Piano Concerto 🎹

in music •  8 years ago  (edited)

Ludwig van Beethoven, 1770-1827

Piano Concerto No. 3, 1803

I. Allegro con brio
II. Largo
III. Rondo – Allegro

The first sketches to the third piano concerto are dated 1796. Beethoven was on tour, and had with him the first two concertos in the luggage. But they began to feel worn out and he needed a new one. Still, the sketches remained tucked away until a concert at Theater an der Wien in 1803 was approaching when the work took off again. As the first rehearsals commenced the score wasn’t completely finished. One of Beethoven's pupils, Ignaz von Seyfried who was the page turner, testified that several pages in the score were still empty except for "something that looked like Egyptian hieroglyphics."

     

It’s the first of Beethoven's piano concertos that is written in a minor key. The music is also more muscular and have a more personal nature than in the earlier piano concertos. There are also a few obvious similarities with the two Mozart concertos for piano in minor - No. 20 in D minor, and in particular No. 24 in C minor, the same key as the Beethoven concert.

A famous anecdote further reinforces the connection to Mozart. In an episode where Beethoven is out for a walk with his favorite pianist Johann Baptist Cramer in a castle park in Vienna, they hear Mozart's C minor concerto at a distance and Beethoven is to have said: "Cramer, Cramer! We will never be able to accomplish something like that."

But his worries were in vain; the third piano concerto is one of the truly great masterpiece in the piano literature - fully comparable in greatness to Mozart’s Nos. 20 to 27. Just listen to the threatening austerity in the first movement that is contrasted against the sublimely dreamy atmosphere in the beautiful Largo, before the concert ends with a dancing and lively rondo. Personally I probably place this concerto higher, or at least closer to heart, than Beethoven’s fifth and last Emperor Concerto. Below, a legendary live recording (also available on CD) with Krystian Zimmerman, accompanied by the Vienna Philharmonic and none other than Leonard Bernstein.

 @SteemSwede

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Enjoyed the music, @steemswede
Thank you

glad you enjoyed! :)

  ·  8 years ago (edited)

At 0:51 .. Mozart , his great idol :-) ... simply brilliant the opening of the first movement ... the contrasts, the emotions .. delicious. It is like he is talking to Mozart saying ... here, this is where we need to go .. to go beyond your genius. Incredible achievement .. he bridged the gap to modernity. Zimmerman has a very effortless style, that makes you forget his playing and concentrate on the music. I have my own favorite though (Katchen on Decca, the best kept secret)

Yes, the whole Katchen set is indispensable and tragically underrated! Fleisher/Szell on Sony and Serkin/Kubelik on Orfeo are two other personal favorites.

Serkin is a more oldschool "romantic" sort of piano player. His technical skills are not up there with Katchen, but then he adds more personal interpretation, while Katchen is methodical and logical. It is a question of taste most times, which version one prefers. At times I prefer the precision, other times the interpretation. The sheer technical level of the concertos, demands a high level of technical skill to match. The sonatas, are more open to personalization. But again that is my view. i like Katchen for his powerful and precise logical expression of the concertos. On a different level than all other. For the symphonies i might add that i like the original instrument version with Immeseel and Anima Eterna... a glorious "wooden" sound, particularly for the Pastorale, that enhances the "natural" feel of nature :-)

Serkin is a genius. Very interesting. :-)

Even the beginning refrain sounds similar to the opening notes of Mozart's Piano Concerto 24 in C Minor

Very nice music.