- “Let There Be Rock” (1977)
AC/DC has always stuck to their signature style, and “Let There Be Rock” epitomizes their commitment to rock. This album is a powerful testament to what Angus Young and his bandmates hold sacred.
Years of extensive touring have honed their skills, and “Let There Be Rock” feels like a live performance, bursting with energy as if the band has only minutes to win over their audience.
The riffs in songs like “Whole Lotta Rosie” and “Bad Boy Boogie” are unmistakable and dynamic.
From New York City to Sydney, few bands could match the relentless energy of this quintet.
- “Back in Black” (1980)
“Back in Black” is the ultimate comeback album. After facing tragedy, AC/DC returned to their rock roots with renewed vigor.
The band, still reeling from the loss of Bon Scott, could hardly believe replacing him was possible. The all-black album cover signifies their mourning.
New lead vocalist Brian Johnson’s bluesy howl fits seamlessly into the album, which features no filler—a rarity for AC/DC. Tracks like “Hells Bells,” “You Shook Me All Night Long,” and the title track are iconic and frequently played for good reason. Matt Lange’s clean, warm production set a new benchmark for hard rock. The guitar tone on this record is unparalleled.
For modern rock n’ roll, “Back in Black” is thrillingly hard to beat.
- “Highway to Hell” (1979)
“Highway to Hell” captures the gritty essence of AC/DC’s sound and subject matter, resulting in their first international hit. Its appeal is immediately clear.
Bon Scott’s lyrics are at their most vivid and raw, while the riff-driven rock is expertly arranged and produced.
Tracks like “Highway to Hell,” “Girls Got Rhythm,” and “Touch Too Much” are as instantly engaging as Chuck Berry’s best.
Tragically, this was Scott’s final album, his stories reflecting his real-life experiences. It was a poignant end for one of rock’s true originals.