Taylor was thrilled to find about 100 lobsters living at the feet of one of his pieces in Cancun. “But a week later, every single lobster was gone,” he said. “They’d been taken out by fishermen in the night.” Taylor tried again in 2011 with this piece, a cast of a Volkswagen Beetle. “We wanted to create a lobster city that fishermen couldn’t get their hooks into,” he said. The sculpture is hollow, but it still weighed nine tons — which made getting it to its location a challenge. And for two years, no lobsters. “I thought, ‘Ah, it hasn’t worked,’” says Taylor. “But I went a year ago and it had 80 lobsters inside. I turned on my torch, and just saw thousands of feelers. It felt really good.” Note: the child crying on the windshield of this sculpture has nothing to do with the recent Volkswagen scandal. “The piece is about what we’re leaving to future generations,” says Taylor.
Anthropocene
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