Each painting has processed the concept of time.
In academic painting education and training, the concept of "TIME" exists as a form element, albeit in the second-order system. We do not know if there are academic systems that have taken the lead in first order and ordinal.
For some reason, those who apply practical painting education and training system: They do not directly process the concept of time.
It is known that movement is used as a substitute for the concept of time under the title of plastic/aesthetic principles.
We also know that he went into a rumble with the concept of directions within the movement principle form discipline.
It is also sometimes confused with the principles of movement, rhythm and gradualism.
While it is necessary to consider the concept of time as the concept of physics and mechanism. Surrealism; While examining Salvador Dali's work "The persistence of memory", time is not accidental.
Or it is not a coincidence when describing Masaccio's work "The money of tribute".
"Time" is a principle and a title, the fourth dimension subject to be dealt with on its own. The basic criterium of the laws of life and aesthetics is the science of physics, in other words, the fundamental paradigms of mechanics.
Time is present in every picture as a fourth dimensional element and the fourth dimension after the third dimension.
If the painter does not know this, he can paint for a lifetime without it.
"They do but they don't know!" It is the word of a philosopher!