Let's talk about another author whose experiences in the Basilica of Santa Croce not only experienced the cultural imagination of later generations, but also the impact of this influence on the academic fields of psychology.
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Her husband Anna Grigoriyevna looked at the painting for a while, then left another hall and left Dostoyevsky alone in front of the painting.
When he returned, he found it in the same place he dropped it at her. Just before the epileptic seizures in her tense and excited face, the spook appeared on her face like a tale. Later, Anna pulled into the arm of Dostoevsky and pulled him out of the room and tried to correct the psychology of sitting on a bench.
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Dostoevsky also slowly calmed down, but he did not hesitate to insist on seeing the painting one more time before he left the museum. After this incident, the painting would lead to the creation of the character of Prince Mamlî and a special place in Fyodor Mihailovich's novel.
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