Captain Marvel

in hive-105965 •  4 years ago 

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  1. Value orientation

First of all, the value orientation of feminism is clear and definite, and it is not extreme. Women don't need to prove themselves in the way of men, and there are also directors of SHIELD in films advocating feminism, and male roles such as the heads of the Skuru clan can also play a strong role.

This means that men and women are not completely opposed. Another important point is the motive of the woman, and the final decision to stop the war is for emotional reasons, not so-called rationality.

This is quite romantic. Some things are not purely rational. If you decide to do something you love and stick to it for a long time, you will be called by emotions. All the sacrifices, good deeds and fighting against injustice in history must not be rational at first.

The second is the response to stereotypes. First, the value of the female host. First of all, people who spray without thinking are simply unreasonable. We analyze it in turn. The first one is the weakest chicken. If it is not good-looking, it cannot play superhero. This boring view is simply not worth refuting.

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First of all, since everyone is serious about watching movies, if you really pay attention to the actor's value, wouldn't you miss a lot of actors? Jack Nicholson and Kevin Spacey are not handsome in appearance. Besides, the recent movies, Samuel Jackson of Captain Surprise, and the two stars of the Green Paper are not based on the value of their faces, but obviously people with normal aesthetics will choose the movies starring them instead of Yang Ying and others.

The second one is a little tricky, which is probably to say that we don't care about the appearance of actors, we just say that the appearance is not good-looking.those without superhero temperament are not suitable for this kind of film.What kind of temperament is that?There is a saying that it doesn't look like ordinary people, heroic, so what are the two versions of hulk and spider man?Obviously, this view is not worth refuting.

The second is that the Skuru people are also proving that good people don't have to be long enough to meet certain aesthetics, which is also a response to a stereotype. The good races in the universe will not be output by our world media, and the audience will accept the aesthetic views on appearance if they want to or don't want to.

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In the expression of values, this can be regarded as a good work.

  1. Film and television language and script

From the lens editing, I didn't see anything outstanding at all. I just finished the story generally, and there was really nothing to say. The script is also very problematic. First of all, it is the characterization. For people like me who haven't seen Marvel very much, the way to distinguish between the hostess, the director, the hostess's friend, the Skulu patriarch, the Coulson agent, and Yong Rogge is to see if they can tell jokes except their appearance.

The chief of the bureau is a Duan player, and the rest are not much to say. The female owner is more irritable. The clan leader of the sikuru clan is more family oriented than his girlfriend. The girlfriend values friendship more. Yong Rogge is more determined to die?Are there any other distinctive features?These people don't have a three-dimensional impression.The length of time has an impact on the characterization, but the ice blood storm or blood maze of the Cohen brothers are more than 90 minutes long, and the characters inside are already very solid.

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In addition, the plot is smooth. In the first act, the heroine encounters a trap and crashes to the earth. In the second act, the heroine fights with the skurus and finally discovers the truth.In the last scene, the heroine fights with Yong Rogge's team, winning and triumphant.In addition to the reversal is not bad, the rest is really regular.

But Disney's positioning of a movie is not very happy. Is it just to connect the preceding and the following, and to connect the triple four?Well, the effect of this kind of film is really a little weak.For example, couplet three is like a dog pulling a sled, and quadruple four is the sled.Both the former and the latter are important, but the film is like a rope in the middle, and the most important purpose is to connect the sled behind.

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