srcfrpnet
In general, I take inspiration from a director more. However, if this director is making some of the most important films in the history of cinema, then there is not much to say for me. The most important movie that has influenced and inspired me the most is Interstellar.
A Nolan and Zimmer classic. Without one this wouldn't be a great movie. The only thing that stands in the way of the movie is that it has a great soundtrack.
In the world, which has become increasingly uninhabitable, people have started to search for new worlds in space while trying to struggle with living conditions. But space is an exceedingly difficult place, with its black holes and gravitational time shifts, its endless gateway to the never-before-seen.
First of all, as a Nolan movie, I think we have the right to expect something quite impressive from Interstellar. In fact, the director reinforces his success by continuing to build the editing, which is the basic building block of his cinema, with the striking creativity that he sprinkles in this film as well. Not to mention the unique visuals and impressive visual effects of Hoyte Van Hoytema, the cinematographer he worked for for the first time. In the end, the movie manages not to get bored, despite its duration exceeding two and a half hours.
srcinfreza
Once the director's idea is very good, there's no reason why it shouldn't turn into an epic masterpiece. But there are very, very big problems in turning this idea into a story. You know, it's a concrete example of how to screw up such a beautiful starting point. It is clear that Nolan is trying to create an epic work, both in its duration and with the good guys winning and the bad losing, but with this scenario? Characters that haven't been dug deep, primary school level dialogues that are getting worse with each passing minute, and the inconsistency that shows itself despite all their efforts... The list goes on and on. What's worse, I think, was witnessing the scenes where the director took this terrible script seriously and tried to build a lyrical narrative three or four times over this foundation with his successful editing, where he became hilarious. Now you can say, "Oh my dear, you will consider it within the genre". It's true, I evaluate movies in general, not in genre, for justified reasons in my approach to cinema, but there is a bare truth here. All of these criticisms are already in-genre criticisms. Otherwise, when humanity is mentioned, it is only the Americans that are meant, only NASA is interested in space studies, and they see the task of saving the world once again, the endless baseless conservative family-based stories of studio productions and the characters remain as they are, absurd and absurd that makes you laugh without meaning. cliché coincidences and a little more cliché, more cliché…
srcoldmag
As we said at the beginning, the director has a very good starting point and he wants to base it on the concept of love. Ultimately, the overall narrative of Interstellar comes down to love and, by extension, humanism. There is no problem here, the main problem is that the existential approach used to construct this grounded concept of love is extremely superficial. What's worse is that it takes on an approach that denies and even hurls pragmatist threats in a few minor deepening chapters. After a while, you don't notice this much, though, as the director lowers the level by focusing on the instant suspense scenes rather than the story.
Nolan has succeeded in creating a work that can be watched with its very good visuals, successful and courageous editing, and perhaps a bit of reverse corner logic. But can we call Interstellar an epic movie with its non-existent and didactically menacing subtext and a slightly worse script than second-rate science fiction movies? Of course not! Because there is nothing new in the movie. If it's a director's work, you'd say it's bad, but when it comes to Nolan, a human-like "Why?" he asks.
srcflickr
It really reveals our near future in a very striking and intriguing way. In addition, the occasional drama scenes really embellish the movie. Apart from these, I think the thing that brought this movie to this point is the music used. It was chosen exactly according to a science fiction movie. When the movie integrates with these music, you can forget to swallow.
srcpinteresat
Christopher Nolan has left a masterpiece in history. The concept of height in space, the wormhole, and the differences between different planets in space travel are treated as extraordinary. I believe that it gives the message that love can rise above gravity and material cycle. In fact, many theories and concepts have made the cast of the film legendary. A separate parenthesis is opened to Murphy as a character, it is wonderful to give an excellent acting and feeling. I would recommend you to watch it. The ideas of colonizing other planets at the moment show how compatible it is with the reality of the world.
srceksisozluk
I became a Nolan fan because of the movies he made. Bana Görre is the greatest director of the 21st century. Zaen's first film, The Following, was produced in 1999. Memento, Imsomnia, Batman Triology, Prestige, Inception, Dunkirk, Tenet. These are not movies that are liked by everyone and needlessly made for a director.
Ah síii, es un film impresionante, y bastante inspirador... quedó muy bueno tu post. Gracias por compartirlo!
Downvoting a post can decrease pending rewards and make it less visible. Common reasons:
Submit
Güzel bir katılım olmuş ellerinize sağlık. Başarılar dilerim 🙏
Downvoting a post can decrease pending rewards and make it less visible. Common reasons:
Submit