rose Momiji maple leaves
hang by bamboo ghosts.
The Painting 'Oriental Garden, Kyoto', Abstract at its Best
I'm not the greatest fan of modern art, and am much more often drawn to works inspired by mythology as with my recent art appreciation post about the painting Echo and Narcissus (by John William Waterhouse).
I guess it is the writer in me. The mythology fascinates me, and provides a fertile source of inspiration as a fantasy fiction writer. But, I think I'm reasonably open minded, and when I saw Bruce McLean's 'Oriental Garden, Kyoto' it pulled me in and had me stood for at least 5 minutes just staring at it drinking in memories of Japanese gardens I have visited.
The artist painted this piece after a visit to Japan in 1982, and in his own words describes the painting as "a painting of a Japanese ornamental garden, painted almost the same size as an actual garden. A celebration of big fish in small ponds."
This quote is typical of this artists humour and irreverence, as well as a willingness to experiment and hold a lens up to some of the pretentions of the art world.
As far as I was concerned, as someone who isn't usually attracted by abstract paintings this surprised me, and reminded me that you can always have your mind changed when something resonates with you. As soon as I saw the painting it reminded me of a Japanese garden, even prior to reading the small cards that give some small information about the artist and painting near to the base of each art work.
A History of Bruce McLean, Artistic Influences and Disciplines
Born in Glasgow, Scotland in 1944, Bruce McLean is known as both an eclectic and provocative artist, who works in a variety of media and styles to produce his pieces. He has created sculptures, paintings, performance art and works of printmaking. The sculptures he makes often use unconventional materials, such as fiberglass, and are often designed to be interactive.
A good example of one of his public sculptures that is seen by millions daily is the Eye-i metal sculpture in Bishopsgate, Central London.
In his performance art McLean is noted for his use of humour and satire, employing absurdity to comment on society, human nature and the art world. This can be seen in his early performance art pieces, such as 'Pose Work for Plinths' (1971), where he posed as a sculpture on a plinth mocking the idea of art as something sacrosanct, or unchanging.
My favourite aspect of McLean's work is his Garden Paintings. He depicting gardens using abstract shapes and colours. I guess even in the world of modern art I am a traditionalist, and if I'm completely honest I'm not a great fan of much modern art. His picture in The Walker Art Gallery caught my eye though, as I once worked at a Liverpool park called Festival Gardens which is known for it's traditional Japanese garden, originally designed by a landscaper from Japan.
The painting caught my eye, and attention, because I felt that expression, even though (for me) in a very abstract style, of a Japanese garden. It reminded me immediately of my daily working in and around the Japanese garden at the festival gardens site.
McLean's work has been exhibited in many galleries and museums, including the Tate Gallery in London, the Centre Georges Pompidou in Paris, the Museum of Modern Art in New York and The Walker Art Gallery.
Thanks for reading 🙂🌿
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