Suleyman Sani Akhundov

Suleyman Sani Akhundov has lived a 40 years of creativity and civilization, and has been a great example for us. As an example of a great writer, he became famous as a well-known writer, who continued the publication and dramaturgy with M.F.Akhundov. With both public and literary activity, he has gained fame in the history of the 20th century Azerbaijani literature as a great democratic, tireless educator, talented artist.
Akhundov, son of Solomon Sani Rzagulu, was born on October 21, 1875 in Shusha, a family of brothers. Still, the baby is the training of Solomon, who was left without father. his grandmother, prominent educator, Safarali bey Valibeyov (1861-1902). Suleyman Sani entered the Gori Teachers' Seminary in 1885, where he had a profound impact on his outlook on national and classical Russian and world literature.

In 1894, Sulayman Sani Akundov began to work as a teacher in a Russian school in Baku. Since then, he has worked with progressive enlighteners to exterminate the people of ignorance and to educate the younger generation with progressive ideas. He defended public interest in all periods of literary-social, pedagogical activity.
Suleyman Sani, who took an active part in the congress of teachers in Baku in 1906, was instrumental in correcting the Arabic alphabet and was elected to the commission for programming in his native language. In 1908 A. Shaig, M.Makhmudbeyov and other leading educators together with the well-known "Second Year" textbook, a progressive event in the history of Azerbaijan's pedagogical idea. The authors of the lesson have written in a style that they want to convey to their little pupils that they have just read and write, and that their educational ideas are simple, clear, and often understand children's thinking. They have also maintained the purity of our language.
Suleyman Sani was a very sensitive teacher who was able to find the way to the hearts of the students. This quality was due to his extensive psychological, pedagogical knowledge. Hundreds of children from poor families in Baku were her friends. He has gained profound respect for the public by his high moral qualities, advanced thinking, encyclopedic knowledge, sincerity, sincerity and enthusiasm. It is no coincidence that the school where Süleyman San's director was called was called by his name.
When the Soviet power was established in Baku in 1918, he worked with great enthusiasm as the first commissar of education in Azerbaijan.
After the May 25 uprising in Ganja on May 25, 1920, such an uprising took place in early June in Karabakh. Serious measures are being taken to suppress it. XI Army units come to Karabakh. AK (b) P MK and the Azerbaijani Revolutionary Committee send Dadash Bunyadzade and Chingiz Yildirim to Karabakh. Among the delegates sent by the Azerbaijani Revolutionary Committee were Süleyman Sani.
In 1920, by the decision of the Karabakh Revolutionary Committee, Suleiman Sani fulfilled several party and state tasks. On August 9 he was appointed head of the Karabakh Department of Education. She works enthusiastically in education; She actively participates in the opening of school, children's home, club, recreation center and other cultural and educational centers in Garabagh and Zangazur. She is working to strengthen cultural enlightenment in Azerbaijan.
In 1922, S.Sani wrote a textbook "New Turkic (Azerbaijan - N.V.) alphabet" with M.Makhmudbayov, S.Abdurrahmanzadeh, F.Agazade, A.Shaiq, A. Afandizade. In that year, he was elected chairman of the "Azerbaijan Writers Union and Poetry Union" and made great efforts to educate the literary youth. Launched in 1923, he publishes a number of stories with the requirements of the era of "Education and Culture" and "East Women" magazines.
S. Akhundov writes "The History of Azerbaijani-Turkish Theater" together with A.Hagverdiyev, N. Vezirov, T.Shahbazi, S.Ganizade, A.Cafarzadeh on the 50th anniversary of the Azerbaijan Theater. In 1923, he worked actively in the commission, which compiled non-school reading books at Azerneshar in Baku. All this and other evidence suggests that during the 20s, Suleiman Sani had made a great contribution to the socio-cultural development of the people and gained public confidence in the public.
In 1932, the Central Executive Committee of Azerbaijan named Suleyman Sani Akhundov as the Hero of Labor, taking into account pedagogical-literary and social-cultural activities.
Solomon Sani Akhundov died on 29 March 1939 in Baku and was buried in the Alley of Honor.
Suleyman San's creativity is rich and multifaceted. Suleyman Sani, who was born on the basis of M.F.Akhundov's realist literary school, was also known as a storywriter, prominent playwright, comedian, famous folk educator and cultural figure in our history.
Suleyman Sani came to our drama with the comedy Comedy (1899), which he had fallen under the influence of M.F.Akhundov's famous "Haji Qara". In this play, he created positive pictures, such as Imran, Gulzar, Sharaf, who opposed a number of negative moments of the era, including negligence, greed, female bondage, feudal traditions, traditions, new generation of truth, self-sacrifice, tried to awaken desire.
"Evil" is a realistic comedy written in a simple, clear language, in which the author naturally uses various imagery means of smile. The reader and the audience clearly see his positive image behind the realistic figures of the writer here.
The negative comic hero of the work is Haji Murad. One of the stronger aspects of the dramatic realism is that Haji Murad reflects his remarkable characteristic - his disgust, greed, cowardice, hypocrisy, cunning, and other ugly facial expressions. The writer does not only suffer from laughing at the negative qualities of satire, but also refers to the negativity, morale, laughter, and the people he belongs to. To summarize this aspect, he meets Haji Murad and the second wife, Muharram Bey. In the process of reconciliation, both trickery and cunning are clearly visible to each other to get rich. For example, Haji Murad, 18 years old, beautiful, intelligent, dearly beautiful daughter, is not like any other person, such as the lion, the dervish, the young, and the loyal Imran, the fox, the same as with the intention to sell to the old Muharram. The dramatist exposed this hateful ridiculous poem, the slanderer, by his words, of the corrupt Haji Murad. The author's hateful hatred is lifted up to the level of hatred towards society that creates conditions for their enrichment. By the way, Nariman Narimanov, who had friendly and creative relationships with Suleyman Sani, highly appreciated this aspect of realism in the "Dummy" on the feleton of "Weekly Wail" (May 19, 1906). One of the stronger aspects of the writer's realism is that he is trying to reflect on the love of young people, who are the bright future of hatred for their feudal traditions. It is also connected with its progressive democracy.