Following the Rodin Museum, which went on the first Sunday in December, on the first Sunday in January, we visited the Pompidou Center, one of the three major galleries in Paris, along with the Louvre and Orsay Museum. Under 18 years old is free, so this time the entrance fee for our couple has also been reduced to 28 euros.
The Pompidou Center boasts a unique and intricate design that cannot be seen from the exterior of the building.
The children who saw the building asked to go to the museum and asked why they were going to the factory.
Unlike typical buildings, elevators, plumbing, and reinforcing bars that are supposed to be hidden inside the building, all of which are exposed to the outside, giving a cold, hard and mechanical impression. Although not photographed, there are intensely exposed blue pipes for air circulation, green for drainage, yellow for electricity, and red for passage.
Panoramic view of Pompidou Center
Common residential buildings in Paris
This building, which was fully devoted to function and purpose, was dramatically contrasted with the building of Paris, which is perceived to be beautiful and fully decorated for the enjoyment of the eyes without function and purpose. It was unclear what the reality of the beauty of these conflicting kinds of buildings would be compared and perceived as beautiful. Then, looking at the Pompidou Center building from a distance, it felt attractive and sensual.
After waiting in a long line and inspecting the bag, you come into the interior and this space of refined and urban interiors comes out. We left our bags and went up to the 5th floor on the escalator with a clear view to see from the view. The Pompidou Center is also famous for its view point overlooking Paris, and in some cases you can buy a ticket for 5 euros just for the view.
The view from inside the Pompidou Center building was by far the best. Even though the day was quite cloudy and sultry, the panoramic view of Paris made me feel in my heart.
Pompidou Museum of Art from the beginning of the 20th century to the latest is the largest modern art museum in Europe. There are over 100,000 works of art in a variety of categories, including visual art, installation art, fine art, photography, new media, experimental films, crafts, furniture, architecture, graphic design and future industrial design.
I admired the views and toured 20th century modern works on the same floor. The first child said that the sculpture is better than the picture. At the same time, the second child, who loves maps, enjoyed visiting the museum with a lot of paintings.
It was so beautiful that the French girls of their first child gathered together to talk about their paintings with their parents.
I heard that you can appreciate the famous paintings of Matisse, Cezanne, Mondrian Malevich, Picasso, Brac, Modigliani, Rousseau, Dali, Labyrinth, Paul Cled, Andre Masson, Jean Duvuffe, Brancozi, Lessie, etc. I could not find the works of the writers. Only Matisse and Picasso were able to find and appreciate their work.
Impressive paintings by Matisse Henri Matisse
The portrait painted by Matisse is characterized by the harmony of simple lines and intense colors, which makes the emotions of the foreign figures stand out more. Repeated patterns on clothes and backgrounds give a modern illustration that you can't believe were the works of the early 20th century. I especially liked the picture of the back of a man playing the violin. It looks like a sad violinist melody of a lonely old man who plays with his emotions while watching the red-clouded sky at sunset. Like Bach's Aria on the G Line ...
Impressive paintings by Picasso Pablo Picasso
My appreciation is too lacking to understand the profoundness and meaning of cubism. In theory, I read how art came to Cubism, but I'm honestly not sure. The creative attempt to dismantle things from various angles, divide spaces in three dimensions, and fragment the screen to express the nature behind the object beyond the representation of the object is groundbreaking, but it is too difficult for me. But I wonder if such a painter and the attempts at the public will be able to ask a question at the old values of the old, which are taken for granted.
When I first saw Picasso's [Slaughter in Korea] picture, I was shocked and moved. It was a very emotional and hot painter to see his paintings, which were so vivid scenes of wars in foreign lands that he had never been to before. Picasso was curious about the Korean War than the famous [Maidens of Avignon], and I thought it was great. Slaughter] I thought I should see my work.
It is a portrait with dull hands, feet, and a big nose. An unnatural pose with a finger on your forehead, thinking carefully. The genius painter Picasso seems to have some intention in this gesture.
An artist I don't know but works that were impressive
Five minutes sketch that came back home after being stimulated by these pictures
Modern works of art were exhibited on the fourth floor, and there were many experimental films and installation art. There are quite a number of works that are difficult for me to understand what these works embody and what they convey.
Later, when I had time to spare, I thought it would be good to read the description of the work and watch it slowly. At this point, my husband and children were playing in the square in front of the main gate and waiting for me.
There was a work by Andy Warhol, but I couldn't find it.
But some of the unknown artist's work caught my eye.
Alighiero Boetti (1940-1994)
Tuttoo, 1987
Boetti is an Italian painter. In 1971 he discovered Afghanistan's old traditional textile craftsmanship. Later, Boetti planned an embroidery made by Afghanistan refugees who were exiled from Pakistan for the invasion of the former Soviet Union. The tapestry was embroidered using the same amount of 84 colors of yarn. Boetti painted thousands of abstract and formative designs based on newspapers and magazines. By arranging the forms randomly, shapes that can't be precisely identified create chaos. Inspired by the universe, the work is the theme of unity and diversity, unity and dispersion, and harmony and disharmony.
Before knowing this information, the random arrangement of various colors and shapes impressed the audience and looked at the work for a while. I was curious, read the explanations, and then I could understand this work better. Missing hometown, sweating, sweating What kind of feelings and pain did you have while working with your compatriot women in the same situation? But did I have to experience sorrow turning hope into this work? For this reason, it seemed that infinite positive energy was radiated from this intense and beautiful work of their choice.
Natalia LL Natlalia LL (1937)
Points of Support 1978
Natalia Elel is a Polish artist known as a pioneer of neo-Avangard and feminist art. He has worked in photography, video art, performing arts and installation art. This collection is the result of her performance using her body to reproduce the shape of 18 constellations on the grass in the Polish National Park of Pienini. This was an attempt to escape the physical sensuality that characterized art in the 1970s. She thought that artists should become objects and objects of art beyond staying only as creators.
When I saw this work for the first time, I was attracted to the fact that a naked woman dynamically used the whole body to express the constellation shape. In the midst of a vast meadow, various gestures of motion seemed to represent the origin of the birth of the universe, or the mystery of this subtle world of materiality. In fact, the description of the performance did not have a detailed explanation of the performance, but I still do not know the exact meaning. However, it was novel that the female body was used not as an eye candy for male spectators or as a means for sexual appeal, but as a tool to complete art with some philosophical and artistic meaning.
Jin Joong-kwon's [Aesthetics Odyssey 3], which I read after visiting the museum, gave me a little understanding of why contemporary art felt so difficult for me.
Modern art refuses to communicate with society. Why? This is because communication presupposes 'code' and 'code' means uniformity. In order to resist the violence of uniformity that makes everything uniform, art rejects the 'code' that is used in society. As a result, today's art remains incomprehensible to the average public. It is a way of protesting the inhumanity of the society in which modern art is managed. Classical art shared 'code' with the public. Modern art deliberately breaks its common 'code' and creates its own 'code' through various formal experiments ....
Only in this way can art remain the only human being in an inhuman society.
(P149)
Modern art is abstract. Why did it happen? This is because human relationships themselves have changed abstractly. Capitalism conceives the qualitative aspects of things and abstracts the amount of exchange value there. Cooperation between humans is also carried out through the abstract relationship of money.
(P 150)
Although there were few opportunities to stand in front of several works as much as greed due to the crowds, it was a time to think about and hang around with paintings for a while and to meet works that were unexpected.
For me art museum outings always have a harvest.
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Isn't it amazing to be in a place that holds so much history and creativity? We hear the names of famous people, their deeds and achievements, but to be there in the presence of them is something else again.
A nice post, thanks for sharing.
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Yes, I would imagine it to be so.
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