"The writing of a woman's body and the straining of the fabric makes her so appealing to the eyes." While pulling the fabric in a dress is exciting, another aspect is that it is attractive when a woman inhabits that clothing. I adore it when a woman fits herself into a dress that isn't too tight but just snug enough that all her curves show through without looking "in your face." And that the length of the dress also makes a difference, because if the length is right around the knee length (knee cap), then any movement she makes in that dress, her knee cap hits the dress, causing those delicious and fantastic pulled lines all along the front lap and rear seated area of the dress. And if you're passing by in the front, those pulled lines in the front lap area are a sight to see, and when the woman passes by, the alternating straining of the fabric in the rear seated area of the dress as she strides by is truly a sight to behold. And when the woman has a promotion event to attend, the simplicity of the dress, paired with the black silk fabric, entices her to choose it from her scented closet. The ruched design around the breast areas and the spaghetti straps provide a sense of elegance to the dress; the woman wants to live within it. As the woman approaches the dress, she uses her jaw to clip it onto the hanger before bringing it to her body with both hands. The woman falls in love with the dress in front of her after glancing in the mirror and deciding it is the dress to wear to the promotion event. The choice is made not just to show off her sculpted contours but also for her comfort and the overall elegance of the ensemble. After selecting that option, the woman pulls down the zipper and removes the dress from the hanger; she then lowers the dress to her knee level, and the woman steps inside the dress in one or two steps. The woman then pulls the dress up to her waist with both hands. As she pulls the dress up to her waist, the woman feels as though she has been caressed, fondled, or worse, molested as the inside silk lining of the garment slips past her buttocks. The woman then spreads her legs slightly apart to prevent the dress from slipping down, and inserts her two arms inside the dress's long sleeves. The woman then raises both hands behind her back to pull on the zipper to zip up the dress. The woman immediately feels the smoothness and tightness of the inside lining of the dress around her upper torso, waist, thighs, and buttocks. The woman then looks in the mirror and likes what she sees since she can still see her curves beneath the dress. As the lady drags her hands over her buttocks and further down to the backs of her thighs, she feels seductive, as if her male boyfriend or spouse is stroking her. Before the woman can finish imagining, she switches her hands to the front and sweeps her hands up and down the lap of the dress; she feels someone rubbing her thighs for that calming and comforting sensation. The woman then steps out of her right leg to walk within the garment, and she feels her thighs can move freely without constraint because the dress fits her but does not restrict her. When the woman feels at ease in her gown, it is time for her to attend the event. A nice sedan awaits her as she steps outside the hotel's entrance. The lady then enters the automobile; while inside, the woman meticulously follows the rule of "The Art of Sitting, Femininely" by raising her bum slightly above the leather-cushioned seat of the automobile. She then pulls the seated section of the garment taut against her buttocks with both hands before sitting down again. While the woman makes that effort, when she glances down at her hips, the inevitable squeeze and compression of the dress fabric around her hip area while sitting occurs due to the tightness of the dress. The woman then uses her hands to carefully smooth out some of the folds, preventing wrinkles and creases from forming in such a short amount of time. When the car arrives at the event building, the woman steps out of the cabin and begins walking inside. When she enters the building, the woman postures beautifully for the media to shoot her, smiling for the camera... In the end, it's the fabric of the garment that's gently wrapping around her buttocks that deserves kisses on the bottom. " - Philippe Lo
