In literary criticism, the section of consciousness is a narrative method or method that reflects the majority of thoughts and emotions that pass through the mind. [1] In 1890, William James adopted the principles of psychology in his principles, and in 1918, novelist May Sinclair (1863-19 46) first applied the period of consciousness in literary context, when Dorothy Richardson (1873-1957) novel Parthath Roofs (1915), the first work of pilgrimage in the title of Richardson's 13 semi-autobiographical novels, [2] Chetana, published in English, is the first full flow of the novel. However, in 1934, Richardson comments that "ProWest, James Joyce, Virginia Woolf and DR ... were using all new methods", though in different ways, together "[3]. However, many were earlier predecessors and the technology is still used by contemporary authors.
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The flow of consciousness is a narrative tool that attempts to give the written equivalent of the character's thought processes, either in the loose internal monologue (see below), or in relation to its actions. Stream-Che-consciousness writing is generally considered as a special form of internal monologue and it is thought to be associative jumps due to lack of thought and some or all punctuation marks. [4] The stream of consciousness and internal monologue is different from the dramatic monologue and soliloquy, where the speakers are addressing an audience or third person, which is mainly used in poetry or drama, in the section of consciousness, the thought processes of the speaker More often expressed in the mind (or addressing themselves) is depicted; This is primarily an imaginary device
The term "section of consciousness" was coined by philosopher and psychologist William James by The Silliesel of Psychology (1890):
Consciousness does not appear to itself as it is bitten in bits ... it does not include anything; It flows. A 'river' or 'stream' are the metaphors by which it has been described most naturally. After that, talking about it, let's call it a thought, consciousness, or a stream of subjective life. [5]
The cover of Ulises (first edition, 1922) by James Joyce is considered a prime example of the stream of conscious writing styles.
In the following example of consciousness section of James Joyce's Ulysses, Molly wants to sleep:
A quarter hour that I think is going to start in China, they are now rolling out their petlets for the day, well, soon enough Nun has voiced Angie's voice that they are going to spoil their sleep For the absence of a strange priest or two for my night's office, in the next door of Elmerlock, in the cockpit, sticking the brain out of myself, I see what I can do 1 2 3 4 5 What kind of flowers are they? Like they invented like stars, which was a wallpaper in Lombard Street, which gave me that was as good as that which gave me that only a few times I better reduce this lamp just twice and try it again that I Can rise early [6]